In another series of iconic images for Five Leaves Left, Keith contrasted the placid, if slightly world weary image of Nick with the lives of Londoners busily going about their everyday business.

During the day-long shoot for Bryter Later, Keith and Nick moved from the singer’s Hampstead flat to Regents Park and this is one of several different studies taken beneath the trees in the late summer sunshine.

During the day-long shoot for Bryter Later, Keith and Nick moved from the singer’s Hampstead flat to Regents Park and this is one of several different studies taken beneath the trees in the late summer sunshine.

During the day-long shoot for Bryter Later, Keith and Nick moved from the singer’s Hampstead flat to Regents Park and this is one of several different studies taken beneath the trees in the late summer sunshine.

During the day-long shoot for Bryter Later, Keith and Nick moved from the singer’s Hampstead flat to Regents Park and this is one of several different studies taken beneath the trees in the late summer sunshine.

After the interior shots in Nick’s Hampstead flat one of which featured on the Five Leaves Left album cover, he and Keith moved on to the Heath for this deceptively rural-looking pose.

Clearly taken just before or after the famous ‘wall’ shots Keith took in support of Five Leaves Left, this study reflects the same theme of Nick somehow existing slightly apart from the hectic ebb and flow of normal life.

Keith remembered of the sessions for Nick’s last album, Pink Moon: “It was a bleak, grey day… Nick was totally cooperative but said very little, couldn’t interact and found it difficult to look towards the camera. It was like I was intruding on private grief.” All of which is reflected in these pictures.

Keith remembered of the sessions for Nick’s last album, Pink Moon: “It was a bleak, grey day… Nick was totally cooperative but said very little, couldn’t interact and found it difficult to look towards the camera. It was like I was intruding on private grief.” All of which is reflected in these pictures.

Another study for the Five Leaves Left album cover, this was posed against a window and using light reflected in a mirror, a trick Nick seemed wryly amused by in some of the other shots Keith took in this series.